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Christina Perrelli’s

Drama, Art and Poems

Scripts written in South Africa

Select from the following:

·  Short dramas (under 15 minutes)

Monologues

Mimes
Dramas
Clown and puppet skits

·  Long dramas (> 1 hour)

·  Participative dramas (Requires almost no preparation! Great for using with groups, churches, children)

·  Poems

·  Oil paintings  

 

Short dramas

These are short plays of under 15 minutes. By reading or accessing these plays you agree to adhere to my conditions of use. Not respecting the conditions is called STEALING.

Name

Short description

No. of players*

Type

Marge Fontein NEW!!

An old lady char describes her experiences. Very short monologues that can be performed alone or as a series.

1F

Monologue

The prophet (English)
Die profeet (Afrikaans)

Restoration of self worth, being set free and forgiven. Compassion. The story of the woman who anointed Jesus with perfume.

1F

Monologue or Narration

The bridge

The danger of compromise

1M 4M/F

Mime

The Father's heart

The father heart of God. Inner healing.

3M

Mime with some narration

The puzzled heart

Forgiveness. Life's little hurts done in a humerous way.

1M 2F 3M/F

Mime

Psalm 139

Love and comfort. Psalm 139.

2 to 7 M/F

Narration & dialogue

The art class

Jesus taking our shame on the cross

5F 1M/F

Dialogue skit

The Father's happy thought

Life as a baby in the womb, rejection, need for inner healing. Mixture of mime, narration, and memorisation with music, recording and slides.

1M 1F 2M/F

Multimedia skit

A chat with dad

Prayer. If we were to talk to our parents the way we talk to God...

1M 1F

Dialogue skit

The baker's dozen

A fun spoof at the dating game

3F

Dialogue skit

Skep bietjie water (Afrikaans)

Discrimination and acceptance. A skit for South African audiences.

2M 1F

Dialogue skit

Have you heard?

Evangelism. Gospel presentation based on the four spiritual laws booklet by Campus Crusade.

2 M/F

Dialogue skit

Everything the river touches

The river of God that Ezekiel saw. For children & adults, children participate.

4M/F

Clown skit

Mishka the yellow lab puppy

Series of puppet skits for children.

1F

Puppet skits

* Note 2M 3F means 2 Male 3 Female and 2M/F means two people which can be male or female. From time to time new skits are added. 

Long dramas

These are plays of over an hour. The first few scenes are available online. If you want to look at the rest of the script, contact me and I will send you the script you are interested in. You commit to destroying all copies made, electronic & paper, within 30 days of receiving the script (this gives you time to look at it properly). If you decide you like it, and want to do it, we can discuss a fee (I may waive this if you meet certain conditions).

Name

Short description

Duration

No. of players*

Type

Rayah Callah (The Beloved Bride)

Full length prophetic play, including music and dancing. Based on the story of Boaz and Ruth.pictures of the play

1.5 hours

11M 12F

Theatre play

Josiah

Full length prophetic play. Repentance and the meaning of the passover feast

About 1.5 hours

2F 9M

Theatre play

When the Spirit comes - Pentecost

Full length play. Celebrating pentecost in a modern world

About 1.5 hours

7F 3M

Theatre play

Participative drama

This type of drama works very well with children, youth groups, bible study and cell groups, and even with churches ! Instead of a 'drama team' coming to perform, the whole church is involved in acting out the play!

This works very well in groups that have participative cultures, like tribal and animistic people; but I have tried it with western groups who have found it enjoyable too! Also, this can be done through an interpretor with a group that does not understand your language.

It requires very little preparation !

Let me explain how this works.

Step 1:
Firstly, we select a scripture portion. Usually a story portion will be easier to use, from the old or new testament. Normally a chapter or a complete story works well. Example: The story of Ezekiel and the dry bones. This is all the preparation we need to do! I like to ask the Lord for which scripture passage to use for any given group.

Then we decide on who will be the spokesperson. The spokesperson is the one who explains to the audience what to do (as explained below). They need a clear voice or a microphone.

Step 2:
Have those that have bibles turn to the scripture. We have someone in the group who can read well, called the READER, read the whole scripture to the audience. (The person reading the scripture can't be the spokesperson).

Step 3:
Spokesperson explains that we are now going to assign roles from the story to each person or to a group of persons in the audience. We then read through the scripture again, pausing every time we come to a person, group of persons or physical object. Then the spokesperson appoints people from the audience to be that person or object. Then we take the next verse. Ask "What people or objects do we need to get from this verse?" Have the audience suggest the roles eg. Ezekiel, Dry bones but the spokesperson decides who in the audience must act in that role. So we carry on until the end of the passage.

If there are people left at the end, you can either add them to the groups already there or make them to be the city wall, trees, gates and so on. Be sure to assign minor roles to the leaders and major roles to less prominant individuals. You as the spokesperson choose who does what. If you plan ahead and provide props, you can assign a person in the group to hand out the props where they see a need for them. You do not actually need props however. Or you could improvise and use what is at hand, like a jacket for a cloak.

Step 4:
Spokesperson assigns a portion of the room as 'the stage'. This can be any part of the room. Explain this to the audience. Now we have the READER read through the scripture again, one verse at a time. After each bit, we stop and ask where the people are that are mentioned or involved in that verse. They come onto the 'stage' and we then ask them how they would act this out. (Resist the temptation to tell them how). They act it out, probably with a few tries. Welcome any in the group's suggestion and incorporate it if possible.

They remain on stage. Then go onto the next scripture. If new persons are needed on stage, decide where the group already on stage should go. They could stay there or be moved to another part of the room.

Continue in this way until the scripture is complete.

Step 5:
We now have a play completely worked out! Now we have everyone act it out without interruption, no suggestions allowed. We read the scripture (pausing to allow movement and positioning) and act it out.

Step 6:
Everyone can take their seats again. Have one person from each of the 'groups' come and explain how it felt to be that character, and what they realised or learnt. You will be surprised at what comes out!

Step 7:
You could have the pastor or leader give a short talk on the meaning of the passage and read it through again if you have time. Or you could have people break up into groups and pray for each other.

NOTE: A teacher friend told me there are 3 categories of learners: Those that hear and understand, those that see and understand and finally those that do and understand. This method uses all three techniques where a normal drama only involves the first two learning types.

Practical Example:
Let us take the story of David and Goliath. It is found in 1 Samuel 17.
If we read the passage, we find the following possible roles:
Philistines
Saul
Israelites
Goliath
Shield bearer
David
Jesse's three oldest sons
Jesse
Shepherd (David leaves flock with him)
Keeper of supplies
Man standing near David
Etc.

These are some areas of the stage:
Two hills, one for Israel, one for Philistines
The valley between
Jesse's home
Etc.
These are some props:
Helmet, javelin etc.
Roasted corn, cheeses (bread will do)
Bag for provisions
Etc.

It's fine to determine the props as you go along. Now start with verse 1. The Philistines gathered for war. So we get those playing the Philistines to stand in formation as if they have javelins. This is where we improvise. It's better not to plan this ahead too much, and let the participants do it their way, to give them a feeling of being part of shaping the plot. Another possibility is to show them pitching camp, like pitching tents and some standing guard. Then we go onto the next verse, which taks about the Israelites taking up a battle line. So in come those who play the Israelites and form a line, looking scared. Etc.
If you try this, do let me know how it went!!

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